Both Jean Isamu Nagai and Ash Wyatt make tremendously textured work, evoking abstracted landscapes where there may be none. Nagai’s mystical, pointillistic color field paintings reference the subtle interconnectedness of moments in time. Wyatt’s high-contrast images are made of soft materials like horsehair, wool, cotton, and vintage linens, and channel the natural spaces their ancestors traversed without specificity. Curator Morgan Ritter unites their work for this show, overlapping the artist's respective approaches of using tactile, painstaking process to capture images of the infinite. by Ashley Gifford Peterson